Thesis FilmRESIDUALS :  The Archaeology of the Mind
4|2026

This film approaches memory as a shifting terrain, where what is uncovered does not return whole, but appears altered, fragmented, and reassembled through time.

Developed alongside Residuals: The Archaeology of the Mind, the film translates the thesis’s spatial and material language into motion. Layering, repetition, and erosion become temporal devices, shaping how fragments surface and recede.

Rather than reconstructing a fixed past, the work traces how memory is continuously formed through what persists, fades, and overlaps—an unstable structure built from residual traces.